New article asks if field journals can help us walk toward care

22 02 2018

Sometimes the best gifts come as requests.  In June 2016, I was asked to give a keynote field journal workshop for a group of tourism educators gathering to think broadly about care–care for their students, for themselves and the land that we walk, whether as residents or tourists.

Photo credit: Jessica Silva

Being asked to give this keynote gave me permission to explore the history of field journals for what is known about the links between creative practices such as field journaling and care.  The paper that I wrote describing these links (as well as the directions for a page spread in five exercises) recently came out and the publisher has provided a link for 50 free downloads. You can find the article here:  http://www.tandfonline.com/eprint/TXih7dc9eU2xpEUf6asF/full

And the unpublished version (with colour images) can be found here (scroll down to where it says PDF)

http://tru.arcabc.ca/islandora/object/tru%253A1644

I’ve always valued my field journal as a tool for paying attention, but writing this paper help me understand why field journals can be so much more.  Tourism educators (and others) talk about worldmaking or the processes by which what we do in the world shapes how we  see the world.  Goodman (1978) originally defined worldmaking as arising from the internal referencing inherent in any human activity whether it be science, art or craft. Much of it is unconscious, but every once in a while, something jars us out of the normal flow of our lives into “noticing.”  Such interpretive encounters, suggests Kellee Caton (2013, p. 345, quoting  Schwandt 2000) “always risk our previous ways of seeing the world.”  Many have argued that what most needs jolting is our perception of the boundary between nature/culture as this artificial boundary (unsupported by empirical evidence) limits our ability to to connect to and care for the natural world.

Here’s where I get excited.  By mixing science and art, drawing and text, outward and inward attention, I think illustrated field journals invite the interpretive encounters that can help challenge this  nature/culture dualism.  As a practice, illustrated journaling is not just embodied, skilled, and creative (all attributes that have been linked with care), it’s also inherently place-based.  Thus, my thesis is that illustrated journaling  predisposes our worldmaking so as to recognize existing connections between people and place.  In doing so, illustrated journaling facilitates the deep attending to the world that I believe is an important, and necessary, first step toward care.

Finally, speaking of not just care, but gratitude too.  This paper is dedicated to my “litter-mates”—the extraordinary group of field journalers who gather each summer to carry this tradition forward. I am grateful to journal within your midst and I have learned from you all.

References cited:

Caton, K. (2013). The risky business of understanding: philosophical hermeneutics and the knowing subject in worldmaking. Tourism Analysis, 18, 341–351.

Goodman, N. (1978). Ways of worldmaking. Indianapolis: Hackett Publishing.




The Form of Water in Winter

18 02 2018

Our recent trip to Moul and McDiarmid Falls in Wells Grey had me thinking about

 

 

Here’s some of what I found:

 

and finally,

Together, the page spread in my journal looks like this:

 




(Re)visiting above the treeline

17 02 2018

More than a year ago now, writer and naturalist John Tallmadge and his family came from their home in Ohio to visit, giving me the excuse to relish Wells Gray above the treeline.  Today as the snow falls–small and white and insistent–these pages give a glimpse into the other side of our yearly orbit.

I came home from our visit brimming with the smells and colours and sounds and textures of an ecosystem at its floral peak, straining and blooming to do what’s necessary before the cold returns.  Of the many gifts good visitors bring, the one I value most is their fresh eyes.  The landscape of Wells Gray is not one I inhabit, but over the last twelve years, it has become part of my yearly round and it’s good to be reminded of the splendour that awaits.